Posts in Sheffield School
Secrets and Highlights of the Isabella Stewart Gardiner Museum

(The Courtyard, Isabella Stewart Gardner Museum)Janet Ramin - What do you get when you mix a Venetian palace, priceless artwork, a female patron, and a daring art robbery?  If you answered the Guggenheim Museum in Venice, you’re only partially right, but if you came up with the Isabella Stewart Gardner Museum in Boston, then you’ve hit bull’s-eye! These ingredients make for a thrilling history, maybe even for a movie. The Gardner Museum is back in the news with a reopening this past January after going through renovations and the addition of a new wing by Italian architect Renzo Piano - see below. The original building is seen at the right corner. 

(New Wing of the Isabella Stewart Gardner Museum)Modeled after a 15th-century Venetian palazzo, the Isabella Stewart Gardner Museum has always been considered a jewel among small museums, mainly for its masterpiece collection but also because of its beautiful, intimate and atmospheric space. It was also infamous for a dramatic art heist, still unsolved to this day. If you’re hunting for a Degas or a Vermeer painting, you may still uncover a hidden treasure out there!

(postcard of original Gardner Palazzo)The Gardner Museum is also one of the very few museums started by

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The Biltmore

(Biltmore Hotel - Front)Janet Ramin - As a young boy, George Merrick traveled to Spain, explored medieval castles, towers, Moorish courtyards and pools, and developed a passion for them. Fast forward several years later, Merrick becomes a real estate developer and teams up with hotel magnate, John McEntee Bowman, to create a grand hotel, a destination magnet for the rich and famous. The Biltmore Hotel is born.

As you curve around the lush rolling green park, a Moorish tower arises and a Mediterranean palazzo appears majestically to fill out the horizon. For a moment, you may imagine you’re in Italy or on the plains of Spain but then the palm trees appear – snapping you out of the dream – and back to Coral Gables, Florida. Merrick wanted to recreate his childhood haunts and hired architect Leonard Schultze to achieve his dream. 

Using the Giralda tower in Seville, Spain as inspiration, Scultze created the bell tower of the Biltmore and centered it in the palazzo-style hotel building. In the center of the hotel is

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Exploring the Souks of Marrakesh

Ceramic Plates at a SoukJanet Ramin - Combine a light fever, sensory overload, and the feeling of Alice descending into a deep rabbit hole, and you may begin to understand what it’s like to step into the souks of Marrakesh. The rainbow of colors attracts you; the mysterious food scents entice you; the persistent calls of the vendors tempt you; and the allure of the unknown pulls you in. What could possibly be inside these traditional market places?

Medina of MarrakeshIn Marrakesh, a city deep in the deserts of Morocco, the main commercial hub dating back to ancient times was found in the souks - markets massed together in a warren of twisting, narrow alleyways filled with shops selling food, clothing, household items, and the stuff of life. The Marrakesh souks begin off their main square, the Djemaa al Fna, or the Meeting Place of the Dead. In the old days, executions were held in this public square, serving as both entertainment as well as a warning. 

I knew that the souks were numerous and confusing so I consulted many maps of Marrakesh and all I found were illustrations of spaghetti-style streets – most without names. Obviously this called for a leap of faith - or a deranged brain - so I just plunged right in. After the blazing desert sun, the canopy-covered souks felt like a cool embracing cave. Immediately I was assaulted with the scents of olives, dates, and spices. I wandered aimlessly from stall to stall, deeper and deeper into the alleyways, called derbs.

Babouches at a SoukI started to notice a pattern – each stall displayed usually only one type of product but in infinite varieties ... and these stalls tended to stick together. One alley was lined with mostly souks selling the Moroccan babouches – or leather slippers. Another side was lined with clothing, selling the traditional djellabas or flowing robes. 

Tagines at a SoukMy personal interest, of course, was interior design so I headed for the souks with household furnishings. Plenty of souks were lined with ceramic plates and cookware. A typical Moroccan dish is lamb stew and they’re usually cooked in a tagine, a ceramic cooking vessel in the shape of a cone placed over a deep, round dish. The designs for the tagines and serving platters were quite spectacular; some had elaborate metal work superimposed on the sides, such as the hamsa or hand of Fatima – see photo above. Moroccans also love to serve tea, so there were plenty of stalls selling silver teapots and the small jewel-toned tea glasses.

I was also determined to find a Moroccan lamp.

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Old Westbury Gardens

(OId Westbury Gardens - South Terrace)A long allée bordered by towering linden trees stretches out from the gates to the entrance of Westbury House, framing its Charles II façade. Tall, imposing iron gates announce that you’re now entering a secluded and spectacular estate known as Old Westbury Gardens located in the very exclusive village of Old Westbury in Long Island, New York. Old Westbury Gardens is so picturesque it’s been chosen for the settings of several movies, including Love Story and Age of Innocence.

(Old Westbury Gardens - Front Gate)Westbury House became the home of newlyweds John "Jay" Phipps (son to a partner of Carnegie Steel) and Margarita Grace (daughter of the founder of the Grace Shipping Lines) in 1903. The Phipps family joined the Old Westbury neighborhood whose prominent inhabitants included the Vanderbilts, the Whitneys, and the Winthrops ... to name just a few. 

(Old Westbury House - Front)Phipps wanted his homesick British wife to feel at home in Long Island, so he turned to British designer George Crawley to design his home. The result was the Charles II style, an 18th century architecture mix of classical and baroque motifs. Crawley wanted to create a gracious country manor that looked like it had been standing there for centuries. A symmetrical brick façade of classical windows, corniced roof, and center Palladian window surround a baroque entry porch of clustered columns, producing a home that was at once elegant and impressive without being imposing.

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